Conflicting Perspectives Essay

Composers are able to put forward in the consultation trusted reactions to characters or yetts in their texts by presenting distant perspectives on different issues d hotshot with(predicate) the manipulation of the language forms and features of their medium, often communicating their own ideas about issues in question, which results in the creation of sum within their texts. (?). David Guterson in his 1995 novel Snow Falling on Cedars (Snow) and Henry noodle in his 2001 blast The Believer (Believer) demonstrate conscious choices made regarding structure and techniques in the construction of their texts in launch to establish strange perspectives exploring ideas on racial prejudice and hatred and cultural contrasts and thus engage the audience.Composers can quiz racial/religious prejudice brought on by war by using form particularised techniques to present irrelevant perspectives on the same event, designed to incite certain audience responses. Guterson, in Snow, int entionally presents distant perspectives between Arthur Chambers and Hatsue and other members of the white community on San Piedro, particularly Etta Heine, in order to draw sympathy for the treatment of the Japanese later on Pearl Harbour is bombed. Arthur is empathetic towards them, saying in his local paper the San Piedro Review, those of Japanese descent on this island are not responsible for the tragedy at Pearl Harbour. Make no mistake about it. The high modality language and short, direct sentences utilise by Guterson highlights Arthurs deeply-held opinion of the innocence of the Japanese on the island. In support of Arthurs argument, Hatsue, through the narratives non-linear structure, recalls her pain and confusion at the treatment of her people, saying, It just isnt fair its not fair. How could they do this to us, just like that? The affectional appeal in addition to Arthurs cla theatrical role triggers audience support of the Japanese community. Guterson, however, a lso presents the contrasting racial hatred of the white islanders towards the Japanese. Etta Heine justifies the deportation of the Japanese with blunt, monosyllabic sentences Theyre Japs Were in a war with them. We cant have spies around. The use of the derogative termJaps and the distinct differentiation between them, the Japanese, and we, the white people, illustrates her bigoted hatred of the Japanese. with the conflicting perspectives of Etta against Arthur and Hatsue, Guterson sways the audience to feel for the ill treatment of the Japanese, and shows them his own opinion on the negative effect of racial discrimination in wartime on the perceptions and conduct towards certain groups.Conflicting perspectives are established by Bean in Believer between Daniel, a neo-Nazi who is paradoxically a Jew himself, and a number of Holocaust survivors pertaining to the strength of their actions during WWII which aims to verbalise a pro-Jewish sentiment to audiences. At a sensitivity t raining session, Danny is enraged at a Jewish mans lack of action while watching his son being murdered by a Nazi during the Holocaust. Rapidly cutting over-the-shoulder shots between Danny and the Jews indicate their opposing views. A close-up of Danny when he is asked by the Jews what he would have done in the situation shows his contempt and incredulous disbelief of the Jews weakness as he replies Not what he did. Just stand there and watch? Bean immediately employs a close-up reaction shot of the female Jew who rebuts with, How do you know? Youve never been tested like he has. here in his rich, safe, stupid country it is so easy to imagine oneself a hero. The personal address through 2nd person and the accumulation of adjectives to build a negative image of America strongly opposes Dannys prejudiced conviction that Jews are pathetic, and also appeals to audiences the idea that religious prejudice towards Jews is unjustified. As Guterson does in Snow, conflicting perspectives ar e represented by Bean in order to sway his audience to respond negatively to unfounded sentiments of prejudice.Conflicting perspectives between characters can be used by composers to control the way in which an audience perceives them by exploring the cultural clashes that exist in the text as a reflection of societal (or social?) behaviour. In Snow, Guterson presents conflicting perspectives between Kabuo and the board during his murder trial. In the opening chapter, a intense description of Kabuos posture and expression is given from the jurys perspective he is shown as proudly upright rigid detached. This initial portrait portrait of Kabuo makes him suspicious not only to the jurybut also to the audience, as Hatsue tells Kabuo using a simile that he looks like one of Tojos soldiers. However, Guterson, through the novels non-linear structure, refutes this perspective by explaining Kabuos behaviour to the audience via a flashback. Through his fathers teachings that the greater th e composure, the more revealed one was, the audience learns the reason behind Kabuos impassive stance. Third person omniscient allows the audience to sympathise with Kabuos emotive explanation that he sit upright in the hope that his desperate composure might reflect the shape of his sense. Guterson, through conflicting perspectives, influences his audience to understand Kabuo and the impact of contrasting cultural values on the perception of an individual.In Believer, Bean likewise shows contrasting opinions between Danny, who cannot fully repress his secret Jewish identity, and his anti-Semitic skinhead friends to create audience sympathy for Dannys inner struggles with the opposing aspects of his identity. When Danny and his friends break into a synagogue, Daniel shows a surprising respect for his trust which clashes with those of the other neo-Nazis. This directly conflicts with Dannys character established at the films opening, when he violently beats up a Jew for no apparen t reason. Wearing a brown shirt symbolise the Nazi SA (brown-shirts), Dannys dark costuming contrasts with the light coloured one of his Jewish victim, high spot the evil in his nature. Bean, however, challenges the audiences view of Danny in order to allow them to understand his conflicting identities. In one frame, Danny is in the foreground walking down an aisle, which is juxtaposed with the other Nazis vandalising the synagogue. Their loud, raucous whooping contrasts to that of Dannys respectful silence, highlighting their different treatments of the Jewish destination. When one of the Nazis tears up a Torah, a sacred Jewish text, after much opposition from Danny, a reaction shot of him shows sadness and pain accompanied by sadness music, underlining Dannys unspoken deference for Judaism. Beans portrayal of conflicting perspectives on Jewish culture incites the audience to respond more sympathetically towards Danny, and to understand that his veneer is a product of cultural differences in his society.The composers in Snow and Believer have effectively utilised techniques within their medium to represent conflicting perspectives about racial or religious prejudice and cultural differences in order to provoke certain audience responses to the characters, events or situations in their story. This includes reactions of sympathy for a certain perspective or disbelief and even dislike of opposing perspectives. In this way, the composers connect to the audience and generate meaning within their texts.In Snow, Hatsue is contain by the traditions of her culture, as shown when her mother Fujiko says to her dont allow living among the hakujin to become living intertwined with them. Your soul will decay rot and go sour. The change in language to refer to the Americans as hakujin and the emotive metaphor of Hatsues breakdown of purity highlights Fujikos dislike of American culture. This