Social movement protest art -- Mexican American inequality in usa Research Paper

Social driveway protest contrivance -- Mexican American inequality in usa - Research Paper practiceConsequently, he encouraged her and supported her artistic work.Fridas paintings depicted her tumultuous and painful life. Nonetheless, her paintings made her kick in a legacy as the greatest Mexican woman painter. She used a distinctive way of folkloric in her paintings, mainly on the different experiences and aspects of her life (Meadows, p. 57). Her paintings were self-portraits and still life, mostly capturing moments in her life. The issues she covered in her paintings included her unstable relationship with Diego Rivera, her inability to have children, psychological and physical pains after a bus accident, and other experiences she had (Meadows, p. 57).Similarly, Diego Rivera is considered the greatest Mexican painter of the 20th century. He was born in 1886 in Guanajuato, Mexico (CMMCA, p. 10). He chiefly excelled in the international art scene, where he championed the reint roduction of fresco painting into the modern art and architecture arena. He was also known for his radical political views and obsessive romance with Frida Kahlo, which intrigue the universal even in modern times (CMMCA, p. 1). Through exhibitions in public spaces and galleries in the 1930s and archeozoic 1940s, Rivera brought his unique art and vision into the public. Through these exhibitions, he enlightened and inspired artists as well as his audiences. Using the fresco or wall painting genre in universities and other public buildings, he managed to introduce his work into the daily lives of the people (CMMCA, p. 2).Rivera favored fresco paintings, which are murals done on refreshed plaster. Some of the themes dear to him included the physical process of human development and technological progress and its make on life and lifestyle (CMMCA, p. 2). His other themes were the future of humanity and news report. Being a Marxist, Rivera used his modal(a) as a cure for the elite walls of galleries and museums. He was not only interested in history and human